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360 SYSTEMS SLAVEDRIVER DRIVER DOWNLOAD

If anyone is still using any of these things on-stage or in productions, drop a line and let us know… The Slave Driver, also from Systems The Ampeg Patch What is required for a guitar synth? The state of the art in frequency and pitch tracking in was not really up to the task, as some other manufacturers, notably ARP , found out. The company branched out into effects and small MIDI sound modules in the mids, before exiting the music industry around Equipped with a hex pickup, the Spectre contained a priority circuit that chose a string to track, fed it into the pitch converter and an envelope follower , and used this to control the bullt-in SEM. The company’s founder, Californian Bob Easton, was an acquaintance of Tom Oberheim and the two collaborated on some pitch converter designs circa This site uses Akismet to reduce spam.

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Sign In Don’t have an account? This site uses Akismet to reduce spam. Equipped with a hex pickup, the Spectre contained a priority circuit that chose a string to track, fed it into the pitch converter and an envelope followerand used this to control the bullt-in SEM. The company branched out into effects and small MIDI sound modules in the mids, before exiting the music industry around This basically combined the Slavedriver and the guts of a SEM into a single box.

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slavedriverr Only a few examples of this were built. If anyone is still using any of these things on-stage or in productions, drop a line and let us know… The Slave Driver, also from Systems The Ampeg Patch These products were not particularly successful.

The Polyfusion FFI frequency follower.

In addition, there is something inherently retrograde with performing on the electric guitar regardless; it is very much a signifier of the s and s; so why muddy the waters of yr joyous celebration of the past with so much technology? If anyone is still using any of these things on-stage or in productions, drop a line and let us know…. Today as PS dot com: The next product was the Spectre guitar synthesizer.

Guitar Synths of the late 1970s

Well, at minimum, independent pitch-to-CV and envelope-to-gate tracking and conversion for each of the six strings, and then some sort of synthesis engine x6 to create the actual sound that you hear. But putting it all together in a slavecriver that a guitar player might want to buy: A manufacturer of synth equipment in the late s and early ’80s.

The company’s founder, Californian Bob Easton, was an acquaintance of Tom Oberheim and the two collaborated on some pitch converter designs circa The mighty ARP Avatar. The Slave Driver, also from Systems.

Guitar Synths of the late s | Preservation Sound

The state of the art in frequency and pitch tracking in was not really up to the task, as some other manufacturers, notably ARPfound out. Below, a period advert…. Below, a period advert… …and click here to view the same-period ARP full-line catalog available for download at PS dot com. Guitar synths never really caught slavedrivef, probably due to the cost initially, but slavedeiver as prices came down it really seems like the vast majority of players were just happier with a bunch of effects pedals.

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Systems | Electronic Music Wiki | FANDOM powered by Wikia

There was also a large six- voice polyphonic system, with a pitch converter, envelope follower, and SEM for each string. Learn how your comment data is processed.

Leave a Reply Cancel reply Your email address will not be published. Retrieved from ” http: A great number of small manufacturers sprung up to offer these devices, and a few of the big names got involved as well.

Your email address will not be published. Live Radio Interview Friday 5. What is required for a guitar synth?

Click here for previous Polyfusion coverage at PS dot com.

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